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Posts: 1403
Jun 6 13 12:20 PM
AdministratorThe Treacherous Trencherman
Knygathin wrote:axolotl wrote:...Jack did not remember at all where it actually ended. All he knew was that never in a million universes would Barch and Komeitk Lelianr get married and live happily everafter...A small TI group then discussed with Norma where to end the novel in this way. I'm pleased to say that my second proposal was accepted (with a minor difference, as I recall) So, for those of you who don't own the VIE text, here's how it all really ends, in what must be considered a much more vancean vein (we know of several wistful, nostalgic, bittersweet endings, don't we?) :Not sure if I got that correctly. Axolotl, the original ending was lost, and you coauthored the ending for the VIE version, so those last sentences of the story are written by you?
axolotl wrote:...Jack did not remember at all where it actually ended. All he knew was that never in a million universes would Barch and Komeitk Lelianr get married and live happily everafter...A small TI group then discussed with Norma where to end the novel in this way. I'm pleased to say that my second proposal was accepted (with a minor difference, as I recall) So, for those of you who don't own the VIE text, here's how it all really ends, in what must be considered a much more vancean vein (we know of several wistful, nostalgic, bittersweet endings, don't we?) :
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Jun 27 13 10:51 AM
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Jun 27 13 11:09 AM
Burned in effigy by the French on Bastille Day
Knygathin wrote:It is perhaps impolite to criticize others's work negatively. And better to remain quiet. Overflowing positive criticism is always ok, even if it is objectively incorrect.
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Jun 27 13 10:19 PM
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Jun 28 13 2:48 AM
Rachepol with a new pair of earrings
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Jun 28 13 9:03 AM
Also available in trade paper
Jun 28 13 2:58 AM
David B Williams wrote:I thought it was long understood: Any SF written by Jack Vance before 1956 is of secondary quality, ...
Jun 29 13 11:10 AM
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Jul 1 13 10:49 AM
Steve Sherman wrote:I think it's just a bit more complex than that. After all, he was capable of Mazirian before he had published a word. 1) had to learn to write what the pulps wanted to publish (the rejection letters at the Mugar are fascinating in this regard), then2) had to learn to write that sort of stuff ("Gadget stories") in his own voice (as David says, the improvement in the Ridolphs is instructive).What I'm not sure of is when the publishers began to realize that they had something special on their hands, if indeed they ever did. By the early 50s it's clear from the correspondence that they have come to regard him as highly reliable, but I suspect they didn't grasp just how original he was for perhaps another decade.
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